吉他常用音阶模式图
| 音阶名称 | 音1 | 音2 | 音3 | 音4 | 音5 | 音6 | 音7 | 音8 |
|---|---|---|---|---|---|---|---|---|
| 自然大调音阶(Ionian) | 1 | 2 | 3 | 4 | 5 | 6 | 7 | |
| 布鲁斯音阶(Blues) | 1 | b3 | 4 | b5 | 5 | b7 | ||
| 多里安音阶(Dorian) | 1 | 2 | b3 | 4 | 5 | 6 | b7 | |
| 弗里几亚音阶(Phrygian) | 1 | b2 | b3 | 4 | 5 | #5 | b7 | |
| 利底亚音阶(Lydian) | 1 | 2 | 3 | b5 | 5 | 6 | 7 | |
| 混合利底亚音阶(Mixolydian) | 1 | 2 | 3 | 4 | 5 | 6 | b7 | |
| 自然小调音阶(Aeolian) | 1 | 2 | b3 | 4 | 5 | #5 | b7 | |
| 洛克里亚音阶(Locrian) | 1 | b2 | b3 | 4 | b5 | #5 | b7 | |
| 减音阶(Diminished (H-W)) | 1 | b2 | b3 | 3 | b5 | 5 | 6 | b7 |
| 减音阶(Diminished (W-H)) | 1 | 2 | b3 | 4 | b5 | #5 | 6 | 7 |
| 全音音阶(Whole Tone) | 1 | 2 | 3 | b5 | #5 | b7 | ||
| 曲调小音阶(Melodic Minor) | 1 | 2 | b3 | 4 | 5 | 6 | 7 | |
| b2多里安音阶(Dorian b2) | 1 | b2 | b3 | 4 | 5 | 6 | b7 | |
| 增利底亚音阶(Lydian Aug) | 1 | 2 | 3 | b5 | #5 | 6 | 7 | |
| b7利底亚音阶(Lydian b7) | 1 | 2 | 3 | b5 | 5 | 6 | b7 | |
| b6混合利底亚音阶(Mixolydian b6) | 1 | 2 | 3 | 4 | 5 | #5 | b7 | |
| 2洛克里亚音阶(Locrian 2) | 1 | 2 | b3 | 4 | b5 | #5 | b7 | |
| 变形音阶(Altered) | 1 | b2 | b3 | 3 | b5 | #5 | b7 | |
| 和声小调音阶(Harmonic Minor) | 1 | 2 | b3 | 4 | 5 | #5 | 7 | |
| 6洛克里亚音阶(Locrian 6) | 1 | b2 | b3 | 4 | b5 | 6 | b7 | |
| 增伊欧尼安音阶(Ionian Aug) | 1 | 2 | 3 | 4 | #5 | 6 | 7 | |
| #4多里安音阶(Dorian #4) | 1 | 2 | b3 | b5 | 5 | 6 | b7 | |
| 大弗里几亚音阶(Phrygian Major) | 1 | b2 | 3 | 4 | 5 | #5 | b7 | |
| #9利底亚音阶(Lydian #9) | 1 | b3 | 3 | b5 | 5 | 6 | 7 | |
| b7变形音阶(Altered bb7) | 1 | b2 | b3 | 3 | b5 | #5 | 6 | |
| 大调五声音阶(Pentanote Major) | 1 | 2 | 3 | 5 | 6 | |||
| 小调五声音阶(Pentanote Minor) | 1 | b3 | 4 | 5 | b7 | |||
| 增音阶(Augmented) | 1 | 1 | 3 | 5 | #5 | 7 | ||
| 阿拉伯音阶(Arabian) | 1 | 2 | 3 | 4 | b5 | #5 | b7 | |
| 巴里音阶(Balinese) | 1 | b2 | b3 | 5 | #5 | |||
| 拜占庭音阶(Byzantine) | 1 | b2 | 3 | 4 | 5 | #5 | 7 | |
| 中国音阶(Chinese) | 1 | 3 | b5 | 5 | 7 | |||
| 中国蒙古音阶(Chinese Mongolian) | 1 | 2 | 3 | 5 | 6 | |||
| 双和声音阶(Double Harmonic) | 1 | b2 | 3 | 4 | 5 | #5 | 7 | |
| 埃及音阶(Egyptian) | 1 | 2 | 4 | 5 | b7 | |||
| 西班牙8度音阶(Eight Tone Spanish) | 1 | b2 | b2 | 3 | 4 | b5 | #5 | b7 |
| 神秘音阶(Enigmatic) | 1 | b2 | 3 | b5 | #5 | b7 | 7 | |
| 印度音阶(Hindu) | 1 | 2 | 3 | 4 | 5 | #5 | b7 | |
| 日本音阶(Hirajoshi) | 1 | 2 | b3 | 5 | #5 | |||
| 匈牙利大调音阶(Hungarian Major) | 1 | b3 | 3 | b5 | 5 | 6 | b7 | |
| 匈牙利小调音阶(Hungarian Minor) | 1 | 2 | b3 | b5 | 5 | #5 | 7 | |
| 匈牙利吉卜赛音阶(Hungarian Gypsy) | 1 | 2 | b3 | b5 | 5 | #5 | 7 | |
| 日本音阶(Ichikosucho) | 1 | 2 | 3 | 4 | b5 | 5 | 6 | 7 |
| 岩上音阶(Kumoi) | 1 | 2 | b3 | 5 | 6 | |||
| 主要全音阶(Leading Whole Tone) | 1 | 2 | 3 | b5 | #5 | b7 | 7 | |
| 减利底亚音阶(Lydian Diminished) | 1 | 2 | b3 | b5 | 5 | 6 | 7 | |
| 小利底亚音阶(Lydian Minor) | 1 | 2 | 3 | b5 | 5 | #5 | b7 | |
| 伊斯兰音阶(Mohammedan) | 1 | 2 | b3 | 4 | 5 | #5 | 7 | |
| 拿波里音阶(Neopolitan) | 1 | b2 | b3 | 4 | 5 | #5 | 7 | |
| 大拿波里音阶(Neopolitan Major) | 1 | b2 | b3 | 4 | 5 | 6 | 7 | |
| 小拿波里音阶(Neopolitan Minor) | 1 | b2 | b3 | 4 | 5 | #5 | b7 | |
| 泛音音阶(Overtone) | 1 | 2 | 3 | b5 | 5 | 6 | b7 | |
| 印尼音阶(Pelog) | 1 | b2 | b3 | 5 | #5 | |||
| 波斯音阶(Persian) | 1 | b2 | 3 | 4 | b5 | #5 | 7 | |
| 希腊音阶(Prometheus) | 1 | 2 | 3 | b5 | 6 | b7 | ||
| 拿波里希腊音阶(Prometheus Neopolitan) | 1 | b2 | 3 | b5 | 6 | b7 | ||
| 印度布尔维音阶(Purvi Theta) | 1 | b2 | 3 | b5 | 5 | #5 | 7 | |
| 对称6度音阶(Six Tone Symmetrical) | 1 | b2 | 3 | 4 | #5 | 6 | ||
| 印度陶笛音阶(Todi Theta) | 1 | b2 | b3 | b5 | 5 | #5 | 7 |
